2015 reading list (so far)


As I’ve done in years past, I’m taking a look at (well, near) the halfway point in the year at the books I’ve read so far, with links where they exist to books that I’ve reviewed (either here on this blog or briefly on Goodreads). As I’ve always pointed out, it’s a competition with no one but myself, but it is always useful and interesting to stop and reflect a bit where one is at with one’s reading, both quantitatively and qualitatively.

Of the 24 books I’ve read so far this year, 2 were non-fiction, 7 were poetry and the balance of 15 were fiction (novels and short story collections). Three of the books were rereads. Two books were works in translation. Fifteen of the books were by Canadian writers. One book was read aloud in its entirety (er, over a period of time, not in one sitting), which is a wonderful way to share the experience with another reader/listener.

  1. The Gallery of Lost Species
    by Nina Berkhout

  2. Mrs Killick’s Luck
    by Christina Fitzgerald

  3. Hard Light
    by Michael Crummey

  4. Fire and Air
    by Erik Vlamincky, translated by Paul Vincent

  5. The First Bad Man
    by Miranda July

  6. 10:04
    by Ben Lerner

  7. Life is About Losing Everything
    by Lynn Crosbie

  8. The Devil You Know
    by Elisabeth de Mariaffi

  9. Into the Blizzard
    by Michael Winter
    (read aloud)

  10. Breathing Lessons
    by Andy Sinclair

  11. Backup Singers
    by Sommer Browning

  12. Her Red Hair Rises With the Wings of Insects
    by Catherine Graham

  13. Safely Home Pacific Western
    by Jeff Latosik

  14. The Amazing Adventures of Kavalier & Clay
    by Michael Chabon

  15. My October
    by Claire Holden Rothman

  16. The Road In Is Not The Same Road Out
    by Karen Solie

  17. Human Voices
    by Penelope Fitzgerald

  18. A Serious Call
    by Don Coles

  19. One Night in Mississippi
    by Craig Shreve

  20. Close to Hugh
    by Marina Endicott

  21. Daddy Lenin and Other Stories
    by Guy Vanderhaeghe

  22. I Shall Not Hate / A Gaza Doctor’s Journey
    by Izzeldin Abuelaish

  23. Something Crosses My Mind
    by Wang Xiaoni, translated by Eleanor Goodman

  24. Tell
    by Frances Itani

Currently in progress:

  • Just Kids
    by Patti Smith

  • Laws & Locks
    by Chad Campbell

  • Just Watch Me: The Life of Pierre Elliott Trudeau: 1968-2000
    by John English
    (read aloud)

How is your reading going so far in 2015?

How do you read a poetry collection?

book-goodman-wang-somethingHow do you read a poetry collection?

  • in one sitting, in the order in which the poems are presented in the collection
  • a few poems at a time, but still in the order in which the poems are presented in the collection – reading over a period of time, interspersed with other reading
  • dipping in and out in no particular order

… or in some other fashion …? Does it depend on the poet, on whether or not it is a first read or a re-read, if the collection is new work versus selected/collected?

My most recent poetry read was Something Crosses My Mind by Eleanor Goodman, translating from the original poems in Chinese by Wang Xiaoni. I read the collection a few poems at a time, in the order in which the poems are presented in the collection, and read it over a period of time, interspersed with other poetry, fiction and non-fiction reading.

Evergreen, by Rebecca Rasmussen

I’m delighted to welcome Celia Ristow as the latest guest reviewer to contribute to this blog. Celia is a respected technical communications professional with an abiding love for literature of all kinds. She offsets many hours spent in front of a computer with ample hammock-and-good-book time.


At times touching and poignant, at others brutal, tragic and refreshingly honest, Rebecca Rasmussen’s Evergreen is a study in contrasts; and yet throughout, the story moves forward with the certainty and ease of time itself. Like the river that flows through the centre of this multi-generational epic, and the enduring beauty of the natural foliage for which it is named, Evergreen is a story of endurance, resilience and promise. Although somewhat overstated at times, Rasmussen carefully and skillfully develops a delicate balance between contrasting forces — contrasts in character, story and setting — emerging in the end as an unquestionable narrative of hope and redemption.

The plot opens with newlyweds, Eveline and Emil, as they set up their first home in Evergreen, a remote corner of the Minnesota woods in the 1930s. After Eveline’s somewhat unconventional arrival at their wilderness cabin — a Lady of Shalott figure, asleep in a rowboat without paddles — she and Emil eke out an existence from the land and river around them. It is a traditional, if somewhat familiar tale of two pioneers in unforgiving surroundings, full of struggle yet reward, a new baby boy, Hux, and marital happiness, until Emil must return to Germany to care for his ailing father.

The story becomes centered around a trio of characters at this point — all of whom paint a portrait of compelling conflicts and contradictions — as Eveline is sustained by her straight-talking, rough-around-the-edges neighbour and friend, Lulu, and her husband, Reddy. Rasmussen brings the characters of Lulu and Reddy to life with ease. Like her worn coonskin coat, Lulu has endured much and survived with a clear and unflappable view on the events and people around her. She accepts and cherishes Reddy for who he is — the “honourable” alcoholic who travels to town for regular drunken binges, but always returns with supplies; who once saved Lulu from a life of prostitution and now fills the role of “good father” to her son, Gunther. Within the larger story, Lulu and Reddy are two characters who have lived and continue to play out Rasmussen’s theme of hope and the redeeming power of love.

Like the somewhat tarnished pasts of Lulu and Reddy, the idyllic tale of Eveline and her friends is suddenly tarnished itself with the rape of Eveline by a seemingly charming government surveyor, Cullen O’Shea, and the subsequent birth of a baby girl. Here Rasmussen delves into the utterly dark world of a rape victim as she explains how Eveline had “never felt so deeply hated”, conveying Eveline’s shame, fear and self-blame as she cannot seem to forget the “boyish” dimples that led her to trust O’Shea in the first place. And yet throughout this dark episode and following it, Rasmussen never lets us lose sight of the beauty and reassurance in nature, whether it be the inevitable return of spring and “tender green buds” to Evergreen or the little bird, Tuna, who feeds and sings without fail outside Eveline’s cabin.

Fearing Emil’s reaction to the baby born of this violation, Eveline leaves the baby at the Hopewell Orphanage, a name fraught — perhaps not so subtly — with the same contradictions Rasmussen has evoked previously. A place of supposed “hope”, the head nun at the orphanage develops a torn love/hate relationship with the girl, bestowing one her the demon name, Naamah. Despite dreams of finding her mother, and her view of the enduring evergreens from the orphanage — “Green as far as she could see” — Namaah inevitably leaves Hopewell and winds up a prostitute.

From here, Rasmussen moves the story forward easily, re-introducing the themes hope and redemption when Hux goes in search of and eventually finds his long-lost sister. The story now focuses on a new trio in Evergreen, Hux, Naamah and Lulu’s son, Gunther, who like the previous generation, continue to live a rough but idyllic life in their (now deceased) parents’ former cabins. As the story progresses with Gunther’s marriage to Naamah and the birth of their daughter, Racina, it becomes increasingly evident that the struggles and conflicts within Naamah have not dissipated. Afraid she “will do something terrible” to Racina, she abandons her, leaving her to be raised by the rough but dependable Gunther — a slightly over-stated echo of the past with Eveline’s abandonment of Naamah, and Lulu and Reddy’s predictability, but this thread weaves the generations and the story together in a way that seems perfectly natural and in its own way, reassuring.

Throughout Evergreen, Rasmussen evokes the beauty of the wilderness with vivid detail, taking its fundamental contradictions of brutality versus beauty, isolation versus connection as a backdrop to the struggles within the characters themselves. Occasionally somewhat forced — the image of Racina running into her mother’s arms at the conclusion of the story might seem somewhat Disney-like to some — and the evergreen imagery a little insistent at times, the story is compelling. The internal struggles of the characters are well-developed, and the plot moves forward at a steady pace so that we cannot help but read on. It’s a feel-good story, an honest portrayal of troubled lives, but reassuring in its simple yet affirmative final phrase, ‘Love was’.

Thank you to the author, Rebecca Rasmussen, for providing a complimentary copy of Evergreen.

My October, by Claire Holden Rothman

bookcover-my-octoberClaire Holden Rothman reimagines Hugh MacLennan’s Canadian literature classic Two Solitudes through the eyes and voices of an extended family touched in various ways by Quebec’s October Crisis. Rather than using her characters as symbols and thematic representations, however, Rothman creates palpably believable human beings touched by social, political and cultural forces, not just those buffeting Quebec in the 1970s, but reaching back to World War II. Beyond those external forces and influences, other connections and secrets are interwoven in the lives of prominent francophone author Luc Levesque, his wife Hannah, who is also the English translator of his works, and their troubled teenage son Hugo. There is an imperative tone to the “My” in the book’s title, driving home that what has happened in this pivotal month affects each character very differently, tests their strength and resourcefulness as individuals and challenges them collectively as a family.

700 poets … and me


A little postscript …

A little over a year ago, my lively poetry-inspired virtual table welcomed 500 poets and translators. Now, 200 more poets and translators have joined a festive gathering that now verges on … well, the possibilities (revelations, touching civility, mayhem …) are breathtaking. As you scan through the list below, you’ll see pairings of poet guests that are poetry unto themselves.

As I’ve mentioned before, I’ve been tweeting a #todayspoem tweet every day since December 26, 2011, inspired by this. In addition to revisiting and going deeper in my own poetry collection, #todayspoem has compelled me to go further afield in print and online, and my daily tweets have reflected both my own explorations and those sparked by other generous and eclectic #todayspoem contributors. While I continue to imagine what this 700 poets and translators I’ve tweeted would have to say to each other if I sat them at a table … again, I’m fantasizing about the new guests who will be joining them in the days, weeks and months to come.

The following are links to more information about each of the unique poets, lyricists, writers who stray into the poetic and translators from whose work I’ve tweeted in just over three years. I’ve highlighted new additions in bold, but in fact, I’ve done my best to check every link in this post to ensure that each provides something interesting, useful – or in the case of a few souls that have managed to elude the all-seeing eye of the interwebs, at least something identifying – timely, whimsical and so on. The links include personal and professional web sites, blogs, journals, articles, interviews, reviews, essays, biographies, obituaries, appreciations and bibliographies.

I kind of hope that these might be starting points for others to explore these artists, too. The excerpts from their work that I incorporated into #todayspoem tweets are also saved as part of the Today’s Poem Pinterest board.

Image from Project Gutenberg’s Manners & Cvftoms of ye Englyfhe, by Richard Doyle

The collective effect of all the todayspoem contributors is warm, powerful, inspiring, too. steviehowl, I love what others share every day.

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Sprinting (like a super hero!) through The Amazing Adventures of Kavalier & Clay by Michael Chabon


Even bookish super heroes need sustenance on reading sprints …!

“One City One Book” community reading programs, where a city promotes to its citizenry the benefits of reading the same worthy book at the same time, are a comparatively recent phenomenon with an already lively and generally respected history. Usually promoted through a city’s public libraries, every year there are more and more activities associated with bringing readers together, giving them the opportunity to meet the author, discuss and explore a book’s themes and more.

What am I doing, sitting in Toronto (which has its own “one book” programs via the Toronto Public Library) … taking part in a “one book” program based in Chicago?

  • For starters, I have always wanted to read this particular book. In fact, I’m long overdue to get lost in a book of such immense charms.

  • I’ve been curious about online reading initiatives such as sprints (offered via different social media platforms, including using the #readingsprint hashtag in Twitter), to see if they do spark reading and discussion.

  • I’m interested in the activities and tools that the Chicago Public Library is providing to its participants to encourage coming to the book in various ways convenient and comfortable to a range of readers. (Thanks to Bibliocommons for access to the special e-reader provided to Chicago library patrons.)

And so far?

  • I’m falling in love with this vivid, compelling story that grabs all of the senses. It’s captivating.

  • I’ve intentionally booked specific times in my calendar to just focus on The Amazing Adventures of Kavalier & Clay. I look forward to those times, make the most of the one-hour time slots and feel like they’ve helped me establish some great reading momentum.

  • The special e-reader is a fun way of enjoying the book, because it allows you to not only easily page through, highlight and bookmark as you go along, but the sharing tools also allow you to easily capture, tweet and share passages you particularly enjoyed. From sprint to sprint, I find myself changing up between the e-reader and my physical copy of the book, which I love because it’s a fine, thick paperback that somehow feels lovely and right for the rollicking subject matter.

  • ereader-tweet

  • The social media interaction via the #readingsprint hashtag has been intermittent, but is at times a nice way of connecting with other readers. (I get more responses sometimes from people curious about what I’m doing or who have already read the book and are confirming what a good choice it is.) Some of the other activities associated with the Chicago Public Library program are also featured online, the fruits of which are very interesting to see.

Will I keep at it? Yes, indeed – this has really sparked my enthusiasm. I’ll be avidly taking part in future sprints … and I’d definitely consider this approach to kickstarting my reading in future.

See also:

Life Is About Losing Everything, by Lynn Crosbie

bookcover-life-losing-everythingLynn Crosbie’s Life Is About Losing Everything is a gritty song cycle melding a dizzying array of short story, poetry, microfiction, memoir and more. The story traces a path through depression, addictive behaviours and destructive relationships, seeming to circle back repetitiously but always – sometimes imperceptibly, but always – moving forward. Crosbie wields dark humour, salted with sly, wry but sincerely passionate pop culture references and at times painful self deprecation and loathing. Through grief that is sometimes self inflicted, sometimes simply not fair, she poignantly acknowledges connection with others, even as it fails or is slipping away:

I smiled at her as the snow hit the window and the night darkened into the nights I will miss her, all my life.

She ruefully but doggedly (pun intended, for one of the most enduring relationships that bolsters her throughout …) mines for hope:

In the galaxies that reach out to heaven, my grandmother’s words are converted to stars: We are roses, she said, and must be cut down, sometimes, so that we may grow more beautifully.

By turns fragile and feisty, Crosbie/Crosbie’s heroine drives towards a determined renewal. The litany of woes and abuses is admittedly frustrating and off-putting at points, due in large part because you see the spirit and intelligence there and just want for it to fully emerge and, well, for her to get on with it. You cheer her on her journey and are grateful to her for sharing how arduous it was at times to reach her destination.

See also: Review of Life Is About Losing Everything by Kerry On Can Lit

Thank you to House of Anansi Press for providing a complimentary copy of Life Is About Losing Everything by Lynn Crosbie.

Celebrating the beautiful book object – Mrs Killick’s Luck, by Christina Fitzgerald

In the past week or so, I’ve had a mounting sense that this might finally be the year that Penelope Fitzgerald gets the widespread attention that never really shone on her in her lifetime. This detailed appreciation (with its slightly bewildering for longtime devotees, but still tantalizing news of a screenplay in the works) appeared in the Los Angeles Review of Books, in the same week that Australian author Peter Carey revealed in his appearance at the Toronto Public Library that he was only now discovering the delights of his fellow Booker Prize winner’s slim, brilliant oeuvre. So, this is the time to celebrate this rare and quirky piece of the captivating Fitzgerald puzzle.

Those who are devoted fans of Penelope Fitzgerald’s work, or are becoming fans thanks to Hermione Lee’s definitive biography and the deserved accolades it is reaping, will appreciate that this is a very special book and a charmingly beautiful book object in its own right. To be clear, though, it is not a work of Fitzgerald herself, but of her eldest daughter Christina (Tina) Fitzgerald.

After winning a short story competition sponsored by the UK’s Sunday Express in 1960, nine-year-old Tina was given the opportunity to expand her precocious tale to book length. (The finished work is 80 pages, extensively and delightfully illustrated.) Novelist and poet Stevie Smith, who contributed to Penelope and Desmond’s World Review magazine, contributes an astute foreword. The lively illustrations are supplied by Mary Shepard, original illustrator of the Mary Poppins books and daughter of EH Shepard, who illustrated Winnie the Pooh and The Wind in the Willows. In other words, this wee book comes crammed with extensive literary pedigree.


Celebrations of Penelope Fitzgerald’s work often have a wistful tinge to them, as the start of her literary career at the age of 58 (with the publication of a biography of artist Edward Burne-Jones) is considered almost heart-wrenchingly belated. In a nutshell, she contended – with aplomb, but setting aside aspirations – with personal and professional pitfalls and with keeping her family together and cared for as best she could. It’s all rather tragicomically symbolized by the real-life sinking of the family houseboat, which became part of the fictionalized setting of her Booker-winning novel Offshore. So, a wistful irony about Mrs Killick’s Luck is that Tina became a published author before her mother.

Hermione Lee suggests in her biography that Penelope quietly harboured her own unique flavour of ambitious and competitive spirit – later in life, Penelope even cheated at games with her grandchildren. Would, then, the opportunity for her daughter to publish a novel when she so desired to do so herself have been perhaps bittersweet? As Stevie Smith observes in her foreword:

“So altogether I think this is a very good story, with such sharp eyes at work and sharp wits like little white teeth.”

Like mother, like daughter?

The book includes a page from the young author’s original manuscript:


In another recent “beautiful book object” post, I really loved seeing a sample of the author’s typescript. Seeing that gives you such a tangible sense of the person behind the book, doesn’t it?

Here are some of Mary Shepard’s rich and perky illustrations:


Isn’t this a treasure?

What I read in 2014


Here are the books I read in 2014, with links to reviews (here on this blog or on Goodreads) where I have them. As I’ve done in previous years, this is an exhaustive, “all of” list, not a “best of” list. (I definitely have “best of” list fatigue this year, more so than usual.)

I continued my commitment in 2014 to a daily devotion to at least one poem … and usually more, as friends on Twitter continued to generously share their poem choices and reflections via the #todayspoem hashtag. Now three years in, I haven’t missed a day, both contributing and enjoying selections from others in this edifying and vital communal experience. I’ve now pondered the works of nearly 650 unique poets, writers, songsmiths and wordsmiths I’ve revisited or unearthed myself, and countless more via others wielding that often revelatory hashtag. On into its fourth year, I’m continuing with my #todayspoem habit every day heading into 2015, and I hope many will continue or join anew.

I also celebrated some more beautifully built books in 2014, including:

The books I read, reread and read aloud in 2014 …

  1. All the Rage
    by A.L. Kennedy

  2. Life After Life
    by Kate Atkinson

  3. A Recipe for Disaster & Other Unlikely Tales of Love
    by Eufemia Fantetti

  4. how the gods pour tea
    by Lynn Davies

  5. Maidenhead
    by Tamara Faith Berger

  6. Crazy Town – The Rob Ford Story
    by Robyn Doolittle

  7. The Luminaries
    by Eleanor Catton

  8. Prairie Ostrich
    by Tamai Kobayashi

  9. Penelope Fitzgerald: A Life
    by Hermione Lee
    (read aloud)

  10. Bark
    by Lorrie Moore

  11. Waiting for the Man
    by Arjun Basu

  12. The Lease
    by Mathew Henderson

  13. Grayling
    by Gillian Wigmore

  14. Sun Bear
    by Matthew Zapruder

  15. Ocean
    by Sue Goyette

  16. Cockroach
    by Rawi Hage
    (reviewed for bookgaga by Paul Whelan)

  17. Dog Ear
    by Jim Johnstone

  18. New Tab
    by Guillaume Morissette

  19. Congratulations, by the way
    by George Saunders

  20. Based on a True Story
    by Elizabeth Renzetti

  21. Americanah
    by Chimamanda Ngozi Adichie

  22. All My Puny Sorrows
    by Miriam Toews

  23. The Rise & Fall of Great Powers
    by Tom Rachman

  24. Swann
    by Carol Shields

  25. Everyone is CO2
    by David James Brock

  26. Juliet Was a Surprise
    by Bill Gaston

  27. A Girl is a Half-Formed Thing
    by Eimear McBride

  28. Elizabeth is Missing
    by Emma Healey

  29. The Couch of Willingness
    by Michael Pond & Maureen Palmer

  30. Gone Girl
    by Gillian Flynn

  31. The Alphabet in the Park
    by Adelia Prado, translated by Ellen Watson

  32. In the Approaches
    by Nicola Barker

  33. Broom Broom
    by Brecken Hancock

  34. Us Conductors
    by Sean Michaels

  35. Paradise & Elsewhere
    by Kathy Page

  36. [Sharps]
    by Stevie Howell

  37. Lila
    by Marilynne Robinson

  38. Love Enough
    by Dionne Brand

  39. Thunderstruck & Other Stories
    by Elizabeth McCracken

  40. Paddy the Wanderer
    by Dianne Haworth
    (read aloud)

  41. American Innovations
    by Rivka Galchen

  42. The Gallery of Lost Species
    by Nina Berkhout

  43. Out of It
    by Michelle Kadarusman

  44. Sweetland
    by Michael Crummey

I read 30 works of fiction (novels and short story collections), 9 poetry collections and 5 works of non-fiction.

The 44 works I read this year were written, co-written or translated by 46 individuals – 33 of them women. While I thought the #readwomen2014 effort was an admirable initiative, I didn’t purposely set out to focus or skew my reading in any fashion, but I’m still happy to see that it turned out this way.

Currently in progress, heading into 2015:

  • Hard Light
    by Michael Crummey

  • Into the Blizzard – Walking the Fields of the Newfoundland Dead
    by Michael Winter
    (read aloud)

Looking back fondly on my 2014 reading, looking forward eagerly and with anticipation to my 2015 reading, I’ll simply conclude (as I’ve done in previous years) …

It’s not how many you read that counts. It’s that you read that counts.

2014 literary events … and aiming for more of the same in 2015

We’re tremendously blessed here in the Greater Toronto area and beyond that, to southwestern Ontario, with a year-round wealth of live events through which one can experience the joy of the written word. You can hear those wonderful words read aloud, you can meet the writers, you can purchase their works (and often get them signed or inscribed), you can celebrate with fellow booklovers. The places in which these experiences take place run the gamut, from libraries, bookstores, lecture and performance halls, to pubs, coffee shops and living rooms. More and more, those places are also in the ether, as readings and panels are broadcast and livestreamed online – so you can be in a remote location and/or in your jammies and can still partake of literary delights.

Looking back over 2014, I’m delighted to recall just how much I took advantage of what was available to an avid reader hereabouts. My goal in 2015 is to do even more, if I can, to support authors, publishers and booksellers by attending and talking about their events.

January 26, 2014
Transatlantic Poetry
Venue: Google +
Writers: John Glenday and Dorianne Laux
Host/moderator: Robert Peake
Poets John Glenday and Dorianne Laux took part in this unique virtual event, with Glenday reading from the Scottish Highlands and Laux reading from her home in North Carolina. Read more about it here.

January 29, 2014
Pivot Readings
Venue: The Press Club, Toronto
Writers: Eufemia Fantetti, Julie Joosten, David McGimpsey
Host/moderator: Bianca Spence
Curator/organizer: Jacob McArthur Mooney
Learn more here about the well regarded and always warmly anticipated Pivot Readings series. They present monthly “the writers breathing life into Canadian literary culture. Established and emerging, time-tested and fresh; we’re what’s happening in literature, right now.”

March 5, 2014
Brockton Writers Series
Venue: full of beans Coffee House & Roastery, Toronto
Writers: Michael Fraser, Angie Abdou, John Degen, Veena Gokhale
Host/moderator: Farzana Doctor
Founded in 2009, Brockton Writers Series has aimed from the outset to host writers who reflect Canadian literature and Canadian diversity. That definition of diversity includes: established and emerging writers, writers of colour, queer writers, younger and older writers, aboriginal writers and other writers who might not always have the platform to showcase their work. Learn more about the series here.

ifoa2March 13, 2014
International Festival of Authors (IFOA)
Venue: Lakeside Terrace, Harbourfront Centre, Toronto
Writers: Claire Cameron, Karen Russell, Helen Walsh
Host/moderator: Emily Keeler
Read more about this event here.

Since its inception in 1974, the International Festival of Authors (IFOA), which started as the Harbourfront Reading Series, has played an important role in the cultural life of Canada. IFOA presents the finest international novelists, poets, playwrights, short story writers and biographers, and provides Canadian writers with an internationally recognized forum in which to present their work. IFOA events range from weekly readings to their annual fall literary extravaganza to initiatives for younger readers.

March 24, 2014
International Festival of Authors (IFOA)
Venue: Brigantine Room, Harbourfront Centre, Toronto
Writer: Lorrie Moore
Host/moderator: Jared Bland
Read more about this event here.

April 1, 2014
National Poetry Month with the League of Canadian Poets
Venue: Ben McNally Books, Toronto
Representatives of the League of Canadian Poets gathered to celebrate the start of National Poetry Month and to announce the shortlists for their slate of poetry awards: the Raymond Souster Award, the Pat Lowther Memorial Award, the Gerald Lampert Memorial Award and the winner of the Sheri-D Wilson Golden Beret Award. It’s all detailed here.

April 16, 2014
Wolsak & Wynn / Buckrider Books launch
Venue: Gladstone Hotel, Toronto
Writers: DD Miller, Erina Harris, David James Brock
Host/moderator: Paul Vermeersch
As they describe themselves, Wolsak and Wynn is a quirky literary press based in the heart of Hamilton. With steel mills on one side of us, the Niagara escarpment on the other and Toronto somewhere off in the distance we spend our time producing brilliant, highly individual and sometimes provocative books. Learn more here.

April 22, 2014
Anansi Poetry Bash
Venue: The Garrison, Toronto
Writers: Sarah Lang, Garth Martens, Anne-Marie Turza, Matthew Zapruder
Host/moderator: Damian Rogers
This was an evening of compelling readings from the latest crop of fine poetry coming from House of Anansi Press, a storied Canadian publishing company founded in 1967 by Dennis Lee and David Godfrey, and early publisher of Margaret Atwood, Michael Ondaatje, Matt Cohen and other writers forming the foundation of modern Canadian literature.

May 9, 2014
Brick Books launch
Venue: Ben McNally Books, Toronto
Writers: Joanna Lilley, Jane Munro, Arleen Paré, Karen Enns
Host/moderator: Kitty Lewis
This was a celebration of the latest poetry releases from Brick Books, a press specializing in publishing poetry founded in 1975 by Stan Dragland and Don McKay … and now celebrating its 40th anniversary in 2015.

June 4, 2014
Griffin Poetry Prize 2014 shortlist readings
Venues: Koerner Hall, Toronto + livestream
writers: Rachael Boast, Carl Phillips, Brenda Hillman, Tomasz Rózycki, Mira Rosenthal, Anne Carson, Sue Goyette, Anne Michaels
Host: Scott Griffin
Founded in 2000, the Griffin Poetry Prize is the world’s largest prize for a first edition single collection of poetry written in English, with international (including translation) and Canadian prizes. The Griffin Trust For Excellence In Poetry aims to spark the public’s imagination and raise awareness of the crucial role poetry plays in our cultural life. One of the most coveted Canadian arts events tickets are those to the annual Griffin Poetry Prize shortlist readings, which are now generously shared via livestream so poetry lovers around the world can enjoy them.

June 25, 2014
International Festival of Authors (IFOA)
Venue: Brigantine Room, Harbourfront Centre, Toronto
Writers: Emma Healey, Linda Holeman, Tom Rachman
Host/moderator: Becky Toyne
Read more about this event here.

September 16, 2014
“Domestic Chaos” book launches (Arsenal Pulp Press, Coach House Books)
Venue: Type Books, Toronto
Writers: Angie Abdou, Brecken Hancock
Host/moderator: Trevor Cole
In the cozy setting of beloved Type Books in Toronto, Angie Abdou read from her novel Between (Arsenal Pulp Press) and Brecken Hancock brought to life selections from her poetry collection Broom Broom (Coach House Books).

September 17, 2014
International Festival of Authors (IFOA)
Venue: Fleck Dance Theatre, Harbourfront Centre, Toronto
Writers: Ben Lerner, Ian McEwan
Host/moderator: Carol Off
Read more about this event here.

October 24, 2014
International Festival of Authors (IFOA)
Venue: Fleck Dance Theatre, Harbourfront Centre, Toronto
Writers: Colm Toibin, Marilynne Robinson
Host/moderator: Eleanor Wachtel
Read more about this event hereand listen to it here.

October 25, 2014
International Festival of Authors (IFOA) – Poets’ Summit
Venue: Studio Theatre, Harbourfront Centre, Toronto
Writers: Gary Geddes, Catherine Graham, Julie Joosten, Jacob Scheier, Adam Sol, David Martin
Host/moderator: Mary Ito
Read more about this event here.

October 26, 2014
International Festival of Authors (IFOA)
Venue: Brigantine Room, Harbourfront Centre, Toronto
Writers: Oana Avasilichioaei, Martha Baillie, Nick Cutter, Gary Geddes
Host/moderator: Farzana Doctor
Read more about this event here.

October 26, 2014
International Festival of Authors (IFOA) – Outer Influences
Venue: Studio Theatre, Harbourfront Centre, Toronto
Writers: Adam Sol, Matthew Thomas, Russell Wangersky
Host/moderator: Steven Beattie
Where does a story come from? A poet and two novelists shared their influences and inspirations. Read more about this event here.

October 28, 2014
International Festival of Authors (IFOA) – Penguin Canada’s 40th Anniversary
Venue: Brigantine Room, Harbourfront Centre, Toronto
Writers: Joseph Boyden, Lee Henderson, John Ralston Saul, Johanna Skibsrud
Host/moderator: Jared Bland
… at which everyone was provided with a glass of champagne to toast Penguin Canada, thereby setting the tone for a most lively occasion. Read more about this event here.

October 29, 2014
International Festival of Authors (IFOA)
Venue: Fleck Dance Theatre, Harbourfront Centre, Toronto
Writers: Joseph Kertes, Laila Lalami, Eimar McBride, Kathleen Winter
Host/moderator: Nathan Whitlock
Read more about this event here.

October 30, 2014
International Festival of Authors (IFOA) – Crowds, Comments and Community: Understanding Writing in the Digital Age
Venue: Lakeside Terrace, Harbourfront Centre, Toronto
Writers: Emily Lindin, Sina Queyras, Anna Todd
Host/moderator: Mark Medley
Read more about this event hereand listen to it here.

November 1, 2014
International Festival of Authors (IFOA)
Venue: Lakeside Terrace, Harbourfront Centre, Toronto
Writers: Dionne Brand, Frances Itani, Kathryn Kuitenbrouwer, Kate Pullinger
Host/moderator: Ania Szado
Read more about this event here.

November 2, 2014
International Festival of Authors (IFOA)
Venue: Brigantine Room, Harbourfront Centre, Toronto
Writers: David Bergen, Michael Crummey, Charlotte Gray, Claire Holden Rothman
Host/moderator: Jacob McArthur Mooney
Read more about this event here.

November 3, 2014
Scotiabank Giller Prize 2014 finalist readings
Venues: Koerner Hall, Toronto + livestream
writers: David Bezmozgis, Frances Itani, Sean Michaels, Heather O’Neill, Miriam Toews, Padma Viswanathan + guest presenters
Host/moderator: Carol Off
The Giller Prize was founded in 1994 by Jack Rabinovitch in honour of his late wife, literary journalist Doris Giller, who passed away from cancer the year before. The award recognized excellence in Canadian fiction – long format or short stories – and endowed a cash prize annually of $25,000.00, the largest purse for literature in the country. Over 20 years later, the prize now provides $100,000 to the winner and $10,000 to each finalist. Part of the celebration of the finalists for the prize includes public readings and presentations of the nominated works, which are also presented via livestream.

November 7, 2014
Wild Writers Festival
Venue: CIGI Campus Auditorium, Waterloo
Writers: Emma Donoghue, Ann-Marie MacDonald
Host/moderator: Craig Norris
Now in its third year, the Wild Writers Festival presented by publication The New Quarterly, Words Worth Books and other generous sponsors pays tribute to “the fearless readers and writers who open up new worlds. Who revel in a well-turned phrase and a well-worn page.”

November 20, 2014
ECW Press fall book launch
Venue: Cadillac Lounge, Toronto
Writers: Tony Burgess, Catherine Gildiner, Paul Illidge, John Jantunen, Paul Vermeersch, Bruce Whiteman
Founded in 1974 by Jack David and Robert Lecker, ECW Press started as a Canadian literary magazine named Essays on Canadian Writing. Learn more here.

I’d love to get your comments, here or on Twitter (sent to @bookgaga, please), on your favourite literary events of the past year, and what you’re looking forward to in the new year.

  • Did you attend any of the events listed above?
  • Did you see any of these same authors, but at different festivals, venues, etc.?
  • What were your favourite literary events of the year?
  • Did you attend any virtual literary events last year?
  • What literary events are you looking forward to attending in the new year?
  • Who would you like to single out for praise for championing and organizing literary events in your community?